FAMSF Blog

It's a Family Affair

With Friday Nights at the de Young on hiatus until March 30, 2012, we thought we’d take a moment to recognize some of our most dedicated supporters. Meet the Pelaez family, longtime museum members and intrepid fans of Friday Nights at the de Young. Parents Jenna and Steve along with their two kids, Payton, 7 and Aria, 5 have rarely missed a Friday Night in the past six years. We asked them what were some of the highlights from their weekly ritual.

The Pelaez family

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FRAME|WORK: Halved Cabbage by Edward Weston

Tomorrow, most of us will sit down with family and friends to enjoy a cornucopia of Thanksgiving comestibles that will leave many satiated to the point of sickness. In preparation, this week’s FRAME|WORK takes a closer look at Edward Weston’s Halved Cabbage, whose beauty and detail give new meaning to the concept of good taste.

Edward Weston (American, 1886–1958). Halved Cabbage, 1930. Gelatin silver print. Museum Purchase, M. H. deYoung Memorial Museum, 1931. 53942

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Revisiting San Francisco Block by Block

San Francisco has always been a site for the convergence of cultures. As Campo Santo Theater prepares to premiere Block by Block, a tribute to the city inspired by the cast and crew members' love for their own neighborhoods, we take a glimpse at some of the special places that make our beloved city such a tapestry—the people, the places, the food, and the history.

View from Excelsior

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Remixing San Francisco: An Interview with Director of "Block by Block," Sean San José

Campo Santo, de Young Artist Fellow and award-winning resident theater company of Intersection for the Arts premieres Block by Block: The Pura Principle, its newest theatrical work, in the de Young's Koret Auditorium on November 17, 18, and 19. The performance is based on recent short stories and original writings by Pulitzer Prize-winning author Junot Díaz.

Block by Block brings back to the stage Díaz’s wild and beautiful voice. Sean San José, theater director for Campo Santo, has adapted Diaz’s writings to life in our city, bringing a multimedia San Francisco block party to the de Young.

Audiences will be taken on a journey through San Francisco, block by block. Actors, dancers, and musicians interpret six neighborhoods–downtown, the Fillmore, the Excelsior, Hunters Point, the Mission, and the Castro–in vignettes reflecting the unique rituals found in each of these culturally rich neighborhoods. Experience DJ battles with Felonious; dance-offs with Nicole Klaymoon and the Embodiment Project; the murals of the Mission with projected visuals created by acclaimed artists Favianna Rodriguez, Evan Bissell, and Ricardo Richey; the urban life and writings of Junot Díaz with the Campo Santo Street Team and DJ Wonway; and Susie Lund, who transports you with Subway Strutting to Carnaval.

Watch a preview here.

How did we arrive at this place? We spoke with director Sean San José to take a deeper look at the inspiration and creative process behind Block by Block.

Sean San  Jose

Photo by Adrian Arias

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Word Gallery: Impressionism

Throughout art history, scholars have devised a special vocabulary to talk about art. These terms are very useful, but they are not always self-explanatory. Enter into the art historical word gallery, where we provide some definitions commonly used to describe artistic styles, techniques, or movements in art.

Impressionism

Camille Pissarro. Apple Harvest, 1888. Oil on canvas. Dallas Museum of Art, Munger Fund, 1955.17.M

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FRAME|WORK: A Māori cloak

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature an exemplary Māori cloak from the Museums’ inaugural collections (currently on display at the de Young) in honor of the October Artist-in-Residence, Māori weaver Glenda Joyce Hape.

Chief's cloak, 19th century. Polynesia, New Zealand, North Island, West Coast, Wanganui region, Māori people. Flax, kiwi feathers, and commercial wool. Gift of M. H. de Young. 41520

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